Actually, it’s the burning of the heretic Giordano Bruno at the dawn of the 15th century NICE TRY AARON
OMG. How obtuse can you get? It’s so very obviously a painting demonizing Millard Filmore’s betrayal of Zachary Taylor over the Compromise of 1850, that traitorous and amoral document put together by Henry Clay.
I mean, C’MON! It’s all right there!
I don’t get it.
This is me today, as in this entire scene is taking place over and over in my mind at a deafening volume.